Revisiting Fiery Violinist Briga’s Wildly Eclectic Balkan Album
Quebecoise violinist Brigitte Dajczer, who performs under the name Briga for branding’s sake, put out a 2017 album, Femme, which made the best albums of year page here, Then it disappeared into the abyss known as this blog’s hard drive. If you missed it then, you missed a deliciously entertaining mix of songs from across the Balkans along with several similarly diverse originals. Looking at the international cast of special guests on it, it’s obvious that they knew she was on to something good. She sings in French and several Eastern European languages as well. The album is still up at Bandcamp.
The first track is Ibrahim, a bouncingly bittersweet love song with a break for a wildfire solo by kanun player Didem Bagar. New York’s own Eva Salina supplies otherworly harmonies on the tightly pulsing Albanian song Dada Do Ta Shes, the bandleader opening it with a stark solo over accordionist Alix Noel’s drone. As the song goes on, he switches to synth for wry P-Funk textures, bassist Gregoire Carrier-Bonneau hitting a nimbly syncopated groove in tandem with drummer Marton Maderspach and percussionist Tacfarinas Kichou.
Accordionist Sergiu Popa duets with Dajczer on the fleetingly joyful Romanian song Dragoi. Svetulka Rachenitsa, a breathless south Serbian-flavored dance tune, features alto saxophonist Ariane Morin matching Dajcer’s ferocity; Noel’s eerily blipping keys add an unexpected psychedelic edge.
Guest chanteuse Tamar Ilana opens the slow, haunting epic Pour Pelin – inspired by Marcel Khalife’s Asfour – with a sharply plaintive solo over another accordion drone. Again, Bagar’s kanun ripples and pounces, then hands off to the string section (which also includes cellist Gael Huard) and the music grows more lushly orchestral.
Elfassi is a rai hip-hop tune with an amusing stoner rap in French from Giselle Numba One. The album’s itle track is an icepick-precise mashup of Balkan brass and salsa, Briga’s violin leaping over an undulating, tumbling groove featuring trombonist Rachel Lemisch. Briga and singer/violinist Iva Bittova duet on the stark, stripped-down dance tune Mama Irena.
Cafe Sarajevo is a fond, trippy, North African-flavored disco portait of a party spot there, inspired by rai music legend Cheika Rimitti. Briga really picks up the pace and cuts loose on the rapidfire, strutting minor-key Chanson Moldave…and then they speed it up some more! Eva Salina and Popa close the album with a calmly passionate, benedictory duet. From a New York perspective, this is Golden Fest in a box. May we get a Golden Fest in 2021.