Grex Take Their Defiantly Uncategorizable Sound Even Further Outside the Box
Grex like to defy categorization. On their previous album Electric Ghost Parade, they toyed with ideas from psychedelia and jazz but resisted any straightforward embrace of pretty much any style. Their new album Everything You Said Was Wrong – streaming at Bandcamp – is even more defiantly (some might say obsessively) eclectic. You could call it punk jazz if you wanted and you wouldn’t be far off, but that’s only part of the picture. By no means is it easy listening (which is hardly a bad thing), although there are a lot of moments where the music is lyrical, seemingly despite itself.
The first few numbers work a Twin Peaks jazz poetry milieu, noisy and inchoate and persistently unsettled. The band – multi-instrumentalists Karl Evangelista and Rei Scampavia – use more loops, and keyboards in general this time out. The material also seems more highly improvised, and angrier: the band’s sense of humor was much more front-and-center on the previous album, no surprise considering the state of the world.
Some of the most frantic and seemingly random moments here are followed by the most cohesive and calmest ones. Math-y rhythms and Evangelista’s shrieky guitar contrast with Scampavia’s atmospheric keys. Her vocals are often autotuned, although that seems to be done strictly for sarcasm: the places where she’s not are the album’s most unselfconsciously compelling interludes. There’s also a hip-hop influence, especially in the jazz poetry numbers. All the cross-genre puddle-jumping makes for some rough segues, but this band will never bore you.