A Broodingly Gorgeous New Album From Klezmer Innovators Shtreiml
Shtreiml have been taking the klezmer tradition to unexpected and interesting new places for a long time. Their latest album Har Meron is just out and streaming at Bandcamp. It’s a suite of sorts, a dynamic, often pensive theme and variations that draws on many styles from across the Jewish diaspora, jazz, Balkan and latin music.
Frontman Jason Rosenblatt builds minor-key suspense and majesty at the piano in the overture, trombonist Rachel Lemisch’s vivid, brooding resonance over Josh Fink’s bass and Thierry Arsenault’s flurrrying drums. Trumpeter Alexis French and saxophonist Tevet Sela take lyrical turns out in front of the band in the rather stern, pulsing variation that follows
Rosenblatt breaks out his signature instrument (shtreiml is the Yiddish word for harmonica) in the understatedly stark nigun that follows, percussionist Bertil Schulrabe providing a slinky Middle Eastern-tinged undercurrent. Then they pick up the pace with a lively, southern Balkan-flavored linedance tune, a hazy, hypnotic bridge at the center.
Rosenblatt keeps that misty, bucolic ambience going in the next number as the horns play an elegant, ancient-sounding theme spiced with doublestops. Lemisch leads the group with a melismatic grace through a variation on the title theme, Rosenblatt’s piano adding eerie glitter, up to a rapturous intertwine between the horns. Then Sela takes a turn out front as the group strut and swing with an allusively chromatic, Serbian tinge.
There’s barely suppressed joy in the pulsing horn piece afterward. Rosenblatt’s gracefully ornamented harmonica lines sail over the muted, slinky groove that follows. The album’s most epic track is also its most enigmatic and lithely jazz-oriented, Sela taking the album’s most intricately energetic solo.
They wind up the record with a trickily rhythmic, cleverly voiced dance, the sax finallly reaching for the rafters, and a brisk, brassy sirba to close on a high note. It’s an apt coda for an album marked by reserve and thoughtful, dusky tunesmithing rather than the unleashed wildness of so many klezmer party bands.