Perchta Mash Up Ancient Brooding Tyrolean Themes With a Heavy Rock Assault
Austrian band Perchta sound like no other group in the world, blending haunting, otherworldly, ancient Tyrolean folk themes into their heavy, mysterious assault, part art-rock, part black metal, part thrash. Their frontwoman takes her name, and the band’s, from a Juno-like pagan goddess revered in antiquity as a protector of the group’s home turf in the rugged, mountainous northern part of the country. Boomy standup drum, wood flute and a rippling zither-like instrument are just as likely to appear in their songs along with crushing, multitracked guitars and co-leader Fabio D’Amore’s growling bass. Their latest album Utang – streaming at Bandcamp – is available on both black and white vinyl.
The album’s instrumental intro sets the stage: spare, ominous bits of melody from the zither mingle within hovering, static-flicked electronic ambience. The first track, Erdn is a blast of thrash with icy, swirling dreampop-inflected guitar (uncredited at the Bandcamp page) and a trio of brief acoustic interludes over gritty, trebly bass.
The band’s frontwoman whispers in Tyrolean dialect over sparse, rainy-day zither in Långs, then the band work tensely pulsing chromatics in Åtem, which comes across as an amped-up take on a medieval peasant work song.
The band follow Summa, a brief, anguished zither-infused invocation with Gluat, juxtaposing a rainswept folk theme with pounding, atmospheric, menacing chromatic guitar crunch.
They revert to skeletal, ominous zither folk with Herest, a good launching pad for the album’s epic centerpiece, Wåssa. It’s the only track on the album where the intricately fingerpicked acoustic intro carries over into the raging electric rock that follows, in this case a slow, menacing, practically ten-minute anthem.
From there they segue into Winta, another invocation whose enveloping outro brings the album full circle. The bonus cd package includes acoustic versions of Gluat and Wåssa, neither of which came with the promo for the record. The world needs more disquietingly individualistic bands like this.