A Rare Chance to Score This Era’s Most Formidable Rock Songwriter’s Obscure Debut Album

by delarue

Hannah vs. the Many frontwoman Hannah Fairchild released her debut album Paper Kingdoms under her own name in 2010. She and the first incarnation of the band played the release show at the tiny, long-defunct Park Slope boite Bar 4. That’s how the great ones get started.

The album pretty much sank without a trace. But just for today, May 1 it’s up at Bandcamp as a name-your-price download. On one hand, you could say that this is strictly for the diehards. On the other, it’s a fascinating blast from the past from a songwriter who would grow into one of the most witheringly lyrical, ferociously powerful rock tunesmiths ever.

At her blog (also recently resurrected), she looks back on the strategy and logistics (or lack thereof) for making a bedroom pop record on a secondhand laptop, playing all the instruments….with a broken ankle, no less. While a lot of these songs lack the focus and savagery of her breakout album, All Our Heroes Drank Here, and her valkyrie wail doesn’t cut loose to the extent that she’s let it in the years since, there are moments of vocal brilliance and embryonic craft that will take your breath away.

Fairchild would eventually reprise five of these songs for her ferocious 2013 short album Ghost Stories. Hearing the subdued take of All Eyes on Me – Fairchild’s Don’t Fear the Reaper – is a revelation. So is Poor Leander, with its slashingly detailed story of a poor schlub in way, way too deep for his own good; it cuts through just as ominously if a lot more quietly here. And who would have known how much new resonance the line about how “I’ve got my mask on and I’m slipping out the side door” – in the defiant individualist’s anthem Lady of the Court – would take on over the past few weeks? Grab this piece of history while it lasts.