Going to the Well For an Overlooked Phantasmagorical Treat by Brodka
Polish singer Monika Brodka‘s album Clashes came out in 2016; if she ever played New York, that evidence never made it this far. Since then, the record’s been sitting on the hard drive here, but leaving it there was a mistake. If you like catchy, dark, carnivalesque sounds or 80s goth bands, you should hear it. It’s streaming at Bandcamp.
Creepily twinkling music-box electric piano underscores the airy violin and wounded vocals of the title track: imagine Lorde if/when she ever grows up. The band shift between a cantering syncopation to a straight-up gothic rock pulse in Horses. By now, it’s obvious they’ve got a great bass player; nice creepy, quiet outro too.
Santa Muerte is a surreal, galloping southwesern gothic bounce…with funeral organ. Can’t Wait For War is not a Trumpie march but a pulsing blend of Siouxsie and Romany-flavored sounds. With its blippy minor-key synth and processed vocals, Holy Holes has a moody 80s New York vibe.
A mbira (or a close digital approximation) pings through the steady, hypnotic Haiti: something in the song relates to “cherry flavor.” Funeral is a strange mashup of noir swing and macabre art-rock, afloat in menacingly waltzing keyboard textures. Up in the Hill is the weirdest track here: it’s a generic pop song with an unexpectedly serpentine guitar solo buried in the mix. Could it be that another band’s tune got sequenced into the files that were sent here?
The bass-heavy new wave track afterward is pretty forgettable as well. They bring back the macabre, funeral-organ ambience with the instrumental Kyrie and keep it going through Hamlet, an elegantly muted, disconsolate processional. The final cut is Dreamstreamextreme, an airy, slowly swaying tableau. Throughout the album, you can hear an artist who’s found an original sound and is still experimenting with other ideas: may that experimentation continue and find a wider audience.