EDITOR’S NOTE – THIS SHOW IS NOW CANCELLED
Every so often the New England Conservatory – Boston’s counterpart to Juilliard – rounds up some of the formidable talent who’ve passed through their jazz program, arguably the first at one established at any major American music school. This year the celebration is at the Jazz Standard on March 19 and 20.
The NEC All-Stars quintet is bound to generate a lot of fireworks. The two-sax frontline of Miguel Zenon on alto and Donny McCaslin on tenor is incendiary by itself. Fred Hersch, one of the great lyrical pianists of the past couple of decades is joined by Jorge Roeder – who’s as at home with tango or other latin sounds as he is postbop – on bass, and Richie Barshay, drummer for the Klezmatics. It’s seldom that you get to see such vast stylistic influences on the same stage; cover is $30.
Then on the 20th there’s a rare New York performance by singer Dominique Eade, whose work with noir piano icon Ran Blake is spine-tingling (and often bone-chilling). Hersch is the rare extrovert pianist who absolutely loves playing with singers, so this is a serendipitous pairing. As with the show on the 19th, they’re less likely to play their own stuff than, say, Monk and other mutual favorites, but you never know. Cover is steep for this one, $35, but remember, at the Jazz Standard there’s no minimum.
For anybody looking for material to spin (virtually or otherwise) in advance of the show, how about Hersch’s most recent release, a six-disc retrospective streaming at Spotify and comprising his long-running trio’s most recent albums, from Whirl, to Alive at the Vanguard. Hersch has gotten into the habit of releasing anything he happens to have in the can which sounds good (which is A LOT). Several of these records, including Sunday Night at the Vanguard and Live in Europe have been covered here over the years.