Big Lazy Bring Their Sinister, Slinky Noir Grooves Back to Barbes
Noir instrumental trio Big Lazy‘s two sold-out album release shows at the American Can Company building in Gowanus late last year were completely different. For a group whose usual sonic palette is a magically detailed but typically grim greyscale, that was unexpected – and obviously influenced by some devastatingly sad circumstances.
Frontman/guitarist Steve Ulrich had lost his mom the previous night. Only a few hours before the first show, he’d played Cole Porter’s I Love You to her at her bedside – and the group, who typically don’t play many covers, reprised that with a gently starry, expansive instrumental take featuring Sexmob’s Steven Bernstein on trumpet. As far as emotional ironman performances go, this was right up there with Exene Cervenka’s gig the night her sister was killed in a car crash. Word spread throughout the venue; nobody knew how to react. Yet the pall over the space lifted as the band went on and played two long sets, the crowd hanging on every creepy chromatic and wry bent note. If there ever was proof of love being stronger than death, this was it.
The second night’s two sets were more boisterous. The Onliest, the desolately loping theme that opens the band’s latest album Dear Trouble, was especially dusky and spare the first time, but the group gave it a more sinisterly windswept take the second time around. There were unexpected treats from deep in the band’s catalog: the hammering Human Sacrifice, like Link Wray doing the Mission Impossible theme, on night two, and the gleefully macabre Skinless Boneless on night one. Bassist Andrew Hall and drummer Yuval Lion also dug in and cut loose more, the former finally indulging the crowd with a slap-happy rockabilly solo late Saturday night during a full-throttle, rat-a-tat take of Princess Nicotine.
The special guests fit seamlessly with the music: it was as if they were a regular part of the band. Miramar organist Marlysse Rose Simmons, with her funereal tremolo and murderously slinky riffs, completely gets this music. Baritone saxophonist Peter Hess, of Slavic Soul Party, added extra smoke on the low end. Bernstein provided disquieting animation on the highs, particularly when he picked up his slide trumpet for all sorts of bloody slashes and smears. And the guitar interplay between Ulrich and Marc Ribot, particularly on Ramona, a brooding quasi-bolero, had an especially bittersweet, saturnine depth.
Big Lazy return to their monthly Barbes residency this Friday, Jan 24 at 10 PM on the year’s best twinbill so far: ageless. Rapturous Armenian jazz multi-reedman Souren Baronian and his amazing band with Adam Good on oud open the night at 8. If you’re on the fence, you should know that this will be Big Lazy’s last Barbes gig for a couple of months. Although they’ve been playing around town more lately, they’re at their peak at what has been their home turf for the last six years.