The Latest Evil, Psychedelic Chapter in the Skull Practitioners’ Brilliantly Noisy Career

by delarue

Power trio the Skull Practitioners have been one of New York’s most assaultively excellent bands for several years, and have played a lot of seemingly impromptu show in between bandleader and lead guitarist Jason Victor’s gigs with Steve Wynn and the Dream Syndicate. It’s not an overstatement to say that at the top of their unhinged game, the Skull Practitioners are just as dark and intense. Their latest ep, Death Buy is streaming at Spotify.

They open the album with the instrumental title track, a slowly swaying, ominous groove with layers of reverb and evil sheets of sustain that Victor finally turns into chords – for awhile, anyway, until the trails of sparks and fumes return. Kenneth Levine’s gritty bass emerges from the toxic puddles, drummer Alex Baker flurrying like Dennis Thompson would do to pull the MC5 out of the murk.

Grey No More is one of the band’s most straight-ahead punk songs: you can hear echoes of the Cramps, the Damned and the Stooges over late 70s/early 80s SoCal drive. The epic instrumental jam Miami is a real departure for the band, the rhythm section more or less looping a quasi-funk fuzztone bass groove, Victor adding spacious, spacy sheets overhead, finally shrieking his way to the top of the fretboard. It gets a lot tripper from there.

The album’s last track is The Beacon, a growling gutter blues tune that sounds a lot like the early Gun Club with a better singer. Look for this on the Best Albums of 2019 page here at the ehd of the year