A Relentless Gothic Postrock/Metal Hybrid from Alltar
Portland, Oregon’s Alltar bridge the gap between gloomy, dystopic Mogwai postrock and doom metal. Their new album Hallowed is streaming at Bandcamp. No shredding, no stoner blues, no boogie, just slow-baked, grimly swaying grey-sky vistas punctuated by the occasional upward drive. Interestingly, 80s gothic rock is a big influence along with the requisite Sabbath references.
The opening track, Horology starts out as a watery, spare chromatic bass-driven vamp and then explodes with a firestorm from guitarists Tim Burke and Colin Hill. The vocals are buried in the mix: if the dark early 80s Boston bands like Mission of Burma played metal, they would have sounded like this. Likewise, if the Cure were a metal band, they would have built War Altar as this band does here, taking a morose, drippy stalactite theme, finally making snarling doom metal out of it with a long series of distorted 6/8 guitar riffs and disembodied vocals. There’s also a sarcastic cynicism to the lyrics.
The most epic track here is Induction, opening with a clanging, bell-like, slowly syncopated art-rock sway. “Society has lost its connection to humanity, and I can’t understand why,” keyboardist/frontman Juan Carlos Caceres ponders. “If chosen, what would you say?” Drummer Nate Wright’s careful accents foreshadow grinding doom metal crush: again, It’s rare that you hear a guy behind the kit who’s as dynamic as he is here.
Hailstorm tremolo-picking and a slow, evil chromatic riff open Spoils before the relentless crush and lo-res distortion kick in, with a final rise from super-slow, to just plain slow and ceaselessly grim. The band seem to care more about vocals than most metal acts: the apocalypse seems awfully close. Four solid tracks to smoke up to and contemplate the end.