A Rare Live Show by Composer Christopher Marti’s Intense, Cinematic Postrock Project
Guitarist Christopher Marti is best known for his film scores. But he also has a pummeling, epically vast postrock instrumental project, Cosmic Monster. He’s released several albums under that group name over the years, and he’s bringing that project to do an improvisational show tonight, Sept 5 at 6 PM at Holo in Ridgewood. What’s more, the show is free, and since it’s so early, you still have time to get home on the L train before the nightly L-pocalypse begins.
To get a sense of what Marti does with Cosmic Monster, give a listen to their eponymous 2014 six-track ep up at Bandcamp as a name-your-price download. The ominously titled first track, Strontium 90 – inspired by the Fukushima disaster three years previously, maybe? – has a pounding attack and multitracked guitars that strongly evoke Daydream Nation-era Sonic Youth, coalescing out of enigmatic close harmonies to a straightforward, anthemic chorus and then retreating.
Electric Battle Masterpiece has a watery 80s dreampop vibe – it could be Sleepmakeswaves covering a track from the Church’s Seance album. Marti brings back the vintage SY feel for Monster/Monster, awash in vigorously slamming tremolo-picked chords and big bass/drums crescendos, then returns to punchy Aussie-style spacerock with Answers From Space.
Ten Thousand Pink Satellites is both the densest and most concise track here, a spacier take on My Bloody Valentine. Marti winds up the album with the evilly majestic The Deep Blue Sleep, part Big Lazy noir surf, part coldly drifting deep-space tableau, part crawling Mogwai menace. It’s anybody’s guess what Marti might do in Queens, flying without a net, but it’s a good bet it might sound like all of the above.