Scruffy, Catchy, Eclectic Folk-Rock Tunesmithing and a Lower East Side Show From Sunshine Nights
For the better part of the past decade, lo-fi acoustic duo Sunshine Nights – Amy Priya and Stephen Sunshine – have entertained crowds across the five boroughs with their catchy, upbeat, almost ridiculously eclectic songwriting and soulful guy/girl vocals. Their characteristically diverse, energetic latest vinyl record If We Stick Around – streaming at Bandcamp – has politically-fueled gravitas to go along with the good vibes. They’re playing the Parkside (the one in Manhattan at Attorney and Houston, not related to the much newer Prospect Lefferts Gardens joint) on July 17 at 10 PM.
Priya sings an Indian carnatic devotional tune over a simple, high bell drone on the album’s opening track, For Love. The second song, Tell Me has a loping desert rock feel. “”Just turn around if you’re feeling hypnotized…. turn in for a deeper look, this is not some storybook,” Priya reminds.
Peace Out is a rocksteady tune as the Violent Femmes might have done it – if they’d had a banjo and an organ in the band. With its interweave of acoustic fingerpicking and bluesy dobro, There and Then follows a quintessential urban trail of images: when the meter maid pulls her gun on somebody, we know we’re in trouble!
The next track, Billie is packed with deliciously spot-on 60s Memphis soul guitar: “You say you’re looking to expand your outer circle, what the fuck does that mean?” Sunshine asks. The duo bring to mind the Jefferson Airplane in the crescendoing, angst-fueled anthem The Amplifier, then they multitrack their vocals for a rousingly brief take of the gospel tune Brighter Than Gold.
Armageddon Blue has a defiant, populist edge, an aphoristic kiss-off to the boss from hell. Piss Off Donald is as self-explanatory and plainspokenly funny as it ought to be, while the album’s longest song, MTA paints a classic global warming-era New York tableau where “There ain’t no counting on the MTA, we all gotta walk it today.”
The duo take a sunny stroll through Chinatown in New Colossus, which sounds a lot like an indie folk version of Sitting on the Dock of the Bay. They close the album with Last Dance, an imaginative mashup of oldtimey front-porch folk and Indian carnatic music. There’s literally something for everybody here.