Slinky Colombian Party Music with Los Mochuelos at Barbes

by delarue

When Los Mochuelos hit the stage at their most recent Barbes show earlier this month, there were maybe two people in the room. Then little by little, a crowd started to trickle in, and by half past eleven the place was packed.

This was on a Monday.

Even though Barbes is a working-class bar – at least as much as a bar in Park Slope in 2019 can be – the venue has a tradition of big Monday night shows. The house band, Chicha Libre used to pack ‘em in on Mondays for years. Lately there’s been a Colombian music scene developing, with monthly residencies by feral singer Carolina Oliveros’ Bulla en el Barrio – who play coastal trance-dance bulleregue – and also by a spinoff of that band, the flute-driven NYC Gaita Club. Los Mochuelos are the latest Colombian Monday night addition.

This particular Monday, the five-piece group played a lot of vallenato, but they also did a bunch of cumbias, a bouncy 1-4-5 tune that sounded like Veracruz folk and a big ballad that also could have been Mexican, but from further north. As Ariana Hellerman, founder of the Bryant Park Accordion Festival has pointed out, music played on that instrument tends to be as portable as the instrument itself. It’s hard to think of a more entertaining cultural cross-pollinator.

Harold Rodriguez (of tropical pop band Alma Mia) played that cross-pollinator, a button model, which tends to get a trebly, reedy sound. Counterbalancing that on bass, Sebastian Rodriguez (of wild psychedelic cumbia band Yotoco) started out with a booming presence, almost as if he had a standup bass. Over the crackle of the three-man percussion section, considering the material – a lot of hits from the 1960s and before – the experience conjured up a beachside gangster cabana of the mind.

Frontman/percussionist Christian Rodriguez sang a lot of party anthems and you-done-me-wrong songs, most of them in minor keys. As the show went on, the bass got treblier and punchier, and more serpentine. Because the accordion needed to be miked, the whole Barbes crew got into the act and made sure the sound mix was as pristine as possible. So much for a dead Monday night. Los Mochuelos are back at Barbes at around 9:30 on April 1, no joke.