Soundscapes to Get Lost in and a Crown Heights Show by the Mesmerizing Arooj Aftab
Pakistani singer Arooj Aftab’s latest solo album Siren Islands – streaming at Bandcamp – is one of the most mesmerizingly enveloping releases of recent months. New Yorkers who really want to get lost this weekend can catch her with a guy who also knows a thing or two about swirling ambience, guitarist Gyan Riley, at Happy Lucky No. 1 Gallery in Crown Heights tomorrow night, March 16 at around 8. It’s likely to be an evening of improvisation, something the two excel at: cover is $20.
Aftab sings and plays all the guitars and synthesizers on the album, each recorded live with liberal use of loop pedals, and mixed to a single mono input. There are four tracks: the first three are “islands,” the fourth is a fifteen-minute meditation on Ovid’s Metamorphoses. It’s best appreciated as a single, immersive work.
You need details? As the first Island eases into view, there’s an icy, echoey, lo-fi swirl balanced by Aftab’s soulful, resonant voice. Which soon only comes through in waves, yet it’s vastly more comfortable than numb. The sweep grows more epic with Island No. 2, jangles and bubbles spicing the slowly shifting sonic panorama.
Island No. 3 is almost eighteen minutes of a spare, gently galloping loop over tectonic washes of sound, Aftab’s vocalese lower and more poignantly insistent. Ovid’s Metamorphoses is the closest thing to Brian Eno here, a considerably sunnier, more tightly spiraling soundscape. For anybody who thinks Aftab’s talents are limited to vocals, guess again.