The Flute Raman Trio Weave a Magical Textural Web to Close Out the Drive East Festival

by delarue

Yesterday evening was the final night of the New York edition of this year’s Drive East Festival of Indian music and dance at LaMaMa. Lucky residents of the Bay Area will get to witness the debut of the California version of the festival, which begins Aug 22 at 7 PM with a performance by sarod virtuoso Alam Khan at the Goode Performance Group, 401 Alabama St. in San Francisco. You can get in for $28; keep in mind that year after year, many of the shows here in New York routinely sell out fast

A pickup version of bansuri flutist Raman Kalyan’s Flute Raman Trio gamely rose to the challenge of closing night festivities here. It seemed that the bandleader had brought his whole arsenal of axes, in various shapes and sizes neatly arranged at the front of the stage. He ended up using just four of them, mostly a standard-issue model but also a misty-toned bass flute and a small model for some especially high notes during a crescendo in the evening’s big central number.

The trio began with a relatively brief raga in the north Asian pentatonic scale, the violinist shadowing Kalyan’s spare introductory phrases. As the call and response developed, there came a point where his glissandos and short bursts became impossible to replicate on a stringed instrument, so she backed toward the shadows with more spare, resonant washes. Through rises and falls and hypnotically spiraling motives, they wound up joyously and ended with a flourish.

The centerpiece of the night was raga Rasikapriya, the very final raga in the 72-raga cycle. Perhaps because it’s at the end of such a vast lineage, it’s a gorgeous, often very saturnine theme. Kalyan and the rest of the group seemed to revel the most in the moments where it took on a chromatically slashing, Middle Eastern intensity. The violinist anchored her shivery, sharp ornamentation with grave, low washes while Kalyan spun effortlessly from silken spirals to moody resonance. The mridangam player got plenty of chances to show off every possible variation on the central sixteen-beat cycle and made the most of it, urged onward by bandleader.

The three closed with a medley of catchy carnatic themes, including an especially energetic, downwardly cantering melody recognizable from the previous evening’s concert. The Flute Raman Trio get a second challenge, providing a coda to the San Francisco edition of the festival on Aug 26 at 5 PM; cover is $21.