A Hilariously Irreverent, Wickedly Tuneful New Album From Irrepressible Saxophonist Elijah Shiffer
Elijah Shiffer is one of the most colorful saxophonists and composers in New York. As a member of this city’s most exhilarating, original klezmer jazz band, Klazz-Ma-Tazz, he gets plenty of opportunities to entertain with his sizzling chops and sense of humor. Shiffer also has an irresistibly fun new album of his own material, Unhinged, with his band the Robber Crabs streaming at Bandcamp, and a gig tomorrow night, June 20 at 9:30 PM at Arete Gallery in Greenpoint.
Shiffer – limiting himself strictly to alto sax here – sprints jovially over the spring-loaded backdrop of guitarist Andrew Shillito, bassist Marty Kenney and drummer Tim Rachbach (his Klazz-Ma-Tazz bandmate) in the catchy, samba-tinged opening track, Crab Dance. Likewise, Material Overture is a wryly jaunty postbop number, Shiffer swinging the blues for all it’s worth, Shillito careening and crunching, then turning it over to Kenney’s growling prowl as the band hits a Booker T groove.
The title track is crazy in an OCD way, an uptight strut where Shiffer works his way down from a squeal with one buffoonish melisma after another, landing comfortably in New Orleans for a bit before the gremlins invade again. Shillito’s R2D2 microtones add squirrelly surrealism.
Isabelline sounds suspiciously like a hot 20s swing parody as Mostly Other People Do the Killing would do it, complete with deadpan banjo from Shillito and some snarky conversation between Schiffer and bass saxophonist Jay Rattman. The group revisit that vein later in the album with I Know What I Want to Do, which seems to be less satirical. You never know with these guys,
The album’s catchiest, hardest-charging track is a cinematic instrumental rock tune, Loosestrife, Shillito blasting through his distortion pedal. That Dada Strain is a deliciously syncopated mashup of klezmer and dixieland, with a sudden tempo shift that’s as amusing as it is predictable. The Drapes (Much of a Muchness) is definitely all that, a rather frantic number driven by Shillito’s crunchy chords until Shiffer goes dancing toward Crescent Street again.
Finally, eight tracks into the album, they hit a ballad, Mangrove, a slow, balmy, bluesy stroll. The album’s most cartoonishly amusing track is Flotsam – with its peek-a-boo phrasing juxtaposed with uneasy, acidic, noir-tinged guitar, it brings to mind the Microscopic Septet. The quintet close the album with That’s a Plenty, a ridiculously amusing hardcore punk cartoon theme. It’s hard to imagine a band having more fun onstage than these guys.