A Captivating World Premiere and Two Playful, Relevant Works in Progress Wrap Up This Year’s Sounds of Arts Festival

by delarue

This year’s Sounds of Arts Festival in Long Island City, staged by arts organization Multicultural Sonic Evolution, featured a variety of performances from jazz to dance to indie classical music. The final program was an auspicious trio of works in progress by Chinese-American Alicia Lieu and Japanese composer Yui Kitamura along with a world premiere commission from Mayalsian-born JunYi Chow.

The highlight of the first night was Chow’s colorful, dynamic partita The House of Smells and Noise. Inspired by a story about a boy’s experiences with Nyonya (Chinese Malaysian) culture in Lee Su Kim’s book Sarong Secrets, it was replete with tensions and dichotomies: tradition versus modernity, calm versus bustle, humor versus solemnity. Percussionist Maiko Hosoda really got a workout, beginning with a stroll around the back of the theatre, clanging her cymbals. From there she took charge of the rhythm on a variety of instruments, including the dreamy microtone-laced plink of a Malaysian kalimba.

Austere call-and response gave way to somewhat more expansive passages that bordered on carefree but never quite went there, played with care and restraint by an impressively unorthodox ensemble of violinist Michael Mandrin, cellist Jay Tilton, oboeist Kevin Chavez, flutist Chrissy Fong and harpist Margery Fitts.  The electroacoustic ending packed a subtle emotional wallop and is too good to give away.

Kitamura’s brief suite, from a forthcoming opera, was sung with expressive power in Japanese by soprano Hirona Amamiya. The text explores the struggles of the daughter of famous 19th century Japanese artist Hokusai Katsushika, widely credited with much of her father’s work since art in Japan at the time was a career essentially closed to women. Asian melodies were alluded to rather than stated outright; themes ranged from a poignant waltz that recalled Belgian musette, to more sweeping, distantly angst-fueled, cinematic passages.

To close the night, a quartet of singers delivered the first part of Lieu’s comic opera Unwrapping Fortune, exploring cultural and parent-child tensions in a Chinese-Jewish New York family. Not to spoil a good and relevant plot, but a chow mein sandwich is involved. A quartet of singers – sopranos Caroline Miller and Estabaliz Martinez, baritone Brian J. Alvarado and tenor Stephen Velasquez – brought drama and sardonic humor to the narrative over pleasant, baroque-tinged melodies.

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