A Creepy, Tasty Treat From Orphan Jane’s Enigmatic Accordionist
Today’s Halloween album – streaming at Bandcamp – is The Sugar Man, the debut release by Timatim Fitfit, the mostly-solo side project by multi-keyboardist Montana Slim, a.k.a. Tim Cluff of creepy noir cabaret band Orphan Jane. It’s a good, weird, disturbing ride.
The opening track is a quavery romp through Walking Stick, a Freudian hokum blues. Cluff takes the album title from the lyric, a sardonic 1920s reference to a guy left out in the cold, literally speaking. Irving Berlin appropriated the song and made it much more coyly funny: this one’s disquieting in a C.W. Stoneking vein. Orphan Jane guitarist Old Man Shorty, a.k.a. Dave Zydallis guests on it; Cluff plays accordion and saloon piano.
The second track is Living in the City, a stabbing parlor pop tune, John Cale mashed up with the Handsome Family:
Taxidermies in your basement
Smell of borax fills the room
I wish I could be resurrected
Like a little grey loon
There are pigeons all around me
They don’t give a shit
If I survive
Or if I drown in it
Feelin’ Good is a twisted, phantasmagorical stroll with echoes of Thelonious Monk. With its funereal organ, glockenspiel and cynical, politically spot-on narrative, the tiptoeing waltz Arctic of Men could be a Tom Warnick tune. Cluff follows that with the even more sarcastic, ragtime-tinged War Machine, Zydallis’ ominously tremoloing guitar soaring overhead. Then Seeders and Leachers reaches for the phantasmagorical scamper of their main band.
Down the Fells is a lush, Celtic-tinged ballad as John Cale might have done it on Paris 1919. The surreal tale Flowers By the Door has some deliciously wistful accordion. The album’s funniest and strangest track is Dog in a Manger, a slowly waltzing robot’s dilemma: in a dystopian nightmare, humans aren’t the only ones who suffer.
The album winds up with the morosely oldtimey Another Shitty Day, and then Low Batteries, a desperate escape anthem that’s the album’s least stylized and most genuinely creepy track.
Fun fact: if you’re wondering what the band name means, it’s sort of the Ethiopian equivalent of fattoush.