Edgy, Dynamic, Guitar-Fueled Klezmer Jangle and Clang from the Avi Fox-Rosen Electric Trio

by delarue

The Jalopy in Red Hook isn’t just New York’s Americana Central. It’s home to all kinds of sounds beyond the  bluegrass, country blues and oldtime string band music that’s made the venue arguably Brooklyn’s best music club and inarguably New York’s best-looking and most welcoming concert space. This Thursday, May 4  at 8:30 PM, guitarist Avi Fox-Rosen leads his Electric Klezmer Trio through a set of chromatically sizzling, reinvented classics from the Dave Tarras catalog, across the years and the Jewish diaspora in the theatre’s lowlit, dusky confines with the church pews in the back and the Thomas Jefferson bust on the left side. Fox-Rosen might have a few issues with that guy’s personal ethics: who knows, that might raise the voltage of the performance a few notches.. Cover is $15; if you want a music or dance lesson beforehand, or the option of sitting in with the band afterward – holy smokes – other options are available.

To get an idea of how Fox-Rosen’s trio sounds, imagine Jim Campilongo playing Tarras’ incisively catchy Jewish jazz. Both Campilongo and Fox-Rosen play Telecasters and get their surfy tremolo by bending the neck of the guitar ever so slightly rather than with a wammy bar that throws the tuning out of wack. Bassist Zoe Guigueno plays with a bow, as klezmer bassists traditionally do, adding dark pulses of melody over drummer Dave Licht’s counterintuitive, playful rimshots and snare hits. Fox-Rosen carries the melody with lead lines that echo the original horn parts but range far beyond the limitations of oldschool klezmer instrumentation: this band rocks, hard, even if they don’t play through Marshall stacks or use distortion. The trio’s low-key, early-week show at Barbes back in February had all of this and more; it would have been fun to stick around for their whole set instead of rushing to catch that improvisational thing further north.

Fox-Rosen is a chameleonic presence in the New York music scene. In 2013, his marathon series of monthly releases vaulted his songwriting into the elite ranks of Elvis Costello and Steve Wynn. The only one of the dozen albums that wasn’t worth owning was a collection of covers. All the albums are still up at Bandcamp as name-your-price downloads. Fox-Rosen is unsurpassed at satire – some of the songs bring to mind a tougher Jonathan Coulton or a more guitarishly talented Walter Ego – and the songs span just about every style on the planet, from psychedelia to art-rock to funk.

How does all this figure into his approach to klezmer? Choosing his spots, wailing when there’s an opportunity, and generally jangling and clanging through a bunch of haunting old tunes that have never jangled and clanged before. How good it is to be alive to hear this music when the rest of the world is being deported and displaced – just like the Jews who invented it.

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