Dark Crooner Mark Sinnis Releases His Catchiest, Hardest Country Record
There’s not a little irony in that baritone crooner Mark Sinnis’ catchiest and hardest country record comes out of the most difficult and arguably most complicated time in his life as a recording artist. His latest album, One Red Rose Among the Dying Leaves – streaming at Spotify – picks up the doomed tangent he began in 2012 with It’s Been a Long Cold Hard Lonely Winter. At that point, his marriage was on life support this one traces the despair that followed in its wake, yet paradoxically it’s Sinnis’ most hopeful album ever. Talk about snatching victory from the jaws of defeat.
As you might expect from Sinnis’ most traditional country album, there’s plenty of reverence for and references to to a century of tradition. The Elvis homage In Tupelo opens it; a homage to New York’s one and only country station, 1050 WHN, which aired at that frequency on the AM dial from 1941 to 1987, closes it on a similarly nostalgic note.
In between, there’s On This Thanksgiving Day, a cruel Johnny Cash-flavored anthem chronicling Sinnis’ departure/eviction from his Westchester home (he’s since resettled in North Carolina). There’s the towering, angst-fueled, Orbison-esque bolero that serves as the album’s title traack, inspired by an actual flower Sinnis discovered the day he moved out of his home in the frigid winter of 2014. It graces the album’s back cover.
Why Should I Cry Over You is a brisk, propulsive minor-key honkytonk blues number. There are a couple of older songs dating from Sinnis’ days fronting gothic-tinged art rock band Ninth House, notably the haunting When the Sun Bows to the Moon – “You create your own atmosphere, breathe your own tainted air” – and the creeping, low-key, doomed Jealousy.
There’s surprisingly upbeat, optimistic material here too. Love, Love Love (You’re Such a Four Letter Word) is a funny and wickedly catchy update on Don Gibson-style 1960s country-pop. Five Days, Seven Nights looks back to the roots of alt-country and bands like the Mekons, but with more finesse. Where It All Ends, a 70s style country ballad, serves as the album’s quietly triumphant coda.
Siting at the Heartbreak Saloon wouldn’t be out of place in the classic-era Merle Haggard songbook. And the album’s best song, Tough Love Is All She’s Got, is one of the all-time greatest kiss-off anthems ever written. See, on the surface, this retro chick – as he tells it, Sinnis’ ex – looks like a classic car from 1956 or so. But wait – pop the hood! Fans of classic country from Lefty Frizzell, to Waylon and Willie, to Jack Grace will love this album A period-perfect and smart, tersely recorded performance from multi-instrumentalists Stephen Gara- who plays everything from banjo to bagpipes – ass well as W. D. Fortay on lead guitar, Ken Lockwood on fiddle, Brian Aspinwall on pedal steel and trumpet, Lee Compton on lead trumpet, Mike Gross on bass and Michael Lillard on drums.