Balkan Psychedelic Band Choban Elektrik Sets Park Slope on Fire: Bed-Stuy is Next
More about that killer original Balkan music twinbill at Friends & Lovers in Bed-Stuy on June 15 at 8 PM, with psychedelic Balkan organ band Choban Elektrik and the elaborate, artful, mighty Serbian-style Raya Brass Band. It’s not clear who’s playing first, but it doesn’t really matter: both put on a wild live show.
Choban Elektrik were part of another ferocious doublebill at the end of April at Barbes, opening for rembetiko metal band Greek Judas. The quartet – Jordan Shapiro on organ, Jesse Kotansky on violin, Dave Johnson on bass and Phil Kester on drums – opened with a familiar Madeconian folk song, switching from major to minor, violin in tandem with the organ through some labyrinthine tempo shifts, Shapiro adjusting his textures from swirly roto to smoky hot. He left the smoke on through the similarly knotty, leaping and bounding, ebullient instrumental after that, bass bubbling, drums tumbling and careening as the organ spiraled upward. It’s tempting to say that their performance was sort of the Balkan equivalent of Emerson, Lake and Palmer doing Moussorgsky, but the keyboard timbres and enigmatic cascades were probably closer to the Doors – with a violinist from ELO, maybe.
Shapiro sang the next song, a rousing tune that for some reason sounded like amped-up Jamaican rocksteady with a more complicated groove and a hypnotically vamping, glimmering, upper-register Ray Manzarek-style organ solo. Appropriately, Shapiro switched to an echoey Riders on the Storm electric piano patch for the next number as the rhythm section delivered a sliced-and-diced gallop. A gritty, insistent, distorto organ crescendo gave way to uneasily sailing violin that surged forward toward shivery In the Hall of the Mountain King menace. A molten-metal, altered organ cha-cha practically segued into an organ arrangement of a punchy, pouncing Macedonian brass tune, then a number that sounded like a Balkan take on Rare Earth: surreal to the extreme. It’s almost funny to consider that such as tuneful band as this could be a spinoff of Zappa cover act Project/Object.
Greek Judas headlined. They haven’t changed their set much since they first started, but they haven’t really needed to since their songs are so creepy, and colorful, and the band jams the hell out of them. As is their custom, bandleader Wade Ripka alternated between distorted lapsteel and Strat, running each through a big Fender amp – inarguably the loudest band ever to play Barbes. Bassist Nick Cudahy and drummer Chris Stromquist wore deer and moose masks, respectively, if memory serves right (it was late; Kate kept bringing beers and that was impossible to resist). Guitarist Adam Good did not. Frontman/horn player Quince Marcum was decked out in a Byzantine gothic monk’s outfit: with his bushy beard, he really looked the part. With one long, searing, Middle Eastern-flavored jam after another and Marcum doing his usual bit explaining the Greek lyrics in detail, they kept the drinkers in the house through tales of lost love, drug smuggling, henpecked husbands and crack whores on the Athens streets in the late 1920s. Greek Judas bring their trippy attack to Leftfield this Saturday night, June 11 at 10 PM, where they threaten to be the loudest act ever to play there as well.