The Queensboro Symphony Orchestra Play a Refreshingly New Take on Old Sounds

by delarue

In concert, at least, symphonic music varies much more than you might think, considering how specific the instructions are from composer to conductor and musicians. Then again, that difference of interpretation is what makes orchestral concerts so much fun (and sometimes, so painfully disappointing) to be immersed in. Last night the up-and-coming Queensboro Symphony Orchestra offered two highly individualistic, richly successful takes on a couple of popular works from the standard repertoire, as well as a smooth run-through of another.

That one was Mozart’s Overture to the Marriage of Figaro. “Here’s what’s gonna happen,” says Mozart. “This will give you a basic idea of what to expect. This isn’t heavy, it’s upbeat and fun and sometimes funny, and you’re going to be entertained. And I’m gonna keep the musicians on their toes, make it conversational, so they’re entertained too.” And that’s how this ensemble played it.

Next on the bill was an intensely dynamic take of Sibelius’ Violin Concerto in D Minor. Conductor Dong Hyun Kim led the orchestra very calmly and precisely out of the sub-basement, setting the thermostat very low so that when the stormy ambience finally kicked in during the second movement, the contrast packed all the more wallop. Violin soloist Yosub Kim delivered frenetic, spectacularly shivery flights against a slowly pulsing, rather ominous backdrop for much of the piece, another study in contrasts that drew spontaneous applause from the crowd between every movement. When the orchestra finally cut loose in a series of triumphantly foreboding waves at the very end, a battering ram in a velvet glove, it made for a mighty payoff.

The concert ended with a similarly individualistic version of Beethoven’s Symphony No. 7. Listen to just about any recording of the third movement, and the highest strings’ ambience in the early going will barely be present. At this concert, they were very loud, completely transforming the music with a whole new level of suspense. Beethoven is foreshadowing here: that this conductor caught that, where so many others don’t, wasn’t the only exciting development in full effect at this concert. There were other contrasts, notably in the high winds and brass, that added considerable color, especially throughout the symphony’s ebullient first movement.

The abrupt transition from major to minor toward the end of that movement was vividly reflected in the somber second; the ending was everything it’s known for, Beethoven at his most Beethovenesque. It’s basically a very long outro, one false ending after another, the composer going for laughs at every juncture, teasing the conductor, the musicians and most of all you. What a fun way to end a broodingly overcast Sunday night.

The Queensboro Symphony Orchestra makes a move outside their usual digs for a special young people’s concert of vocal music and concertos by Haydn, Mozart and others at St. Ann’s Church, 58-02 146th St. in Flushing this coming Sunday, December 13 at 7 PM. If you don’t live in the neighborhood, it’s a comfortable 25-minute walk from the Main St. 7 train (last stop); go straight up Main and continue through this quiet residential area to 58th Ave and make a left, then walk three blocks. You can also take the Main St. bus right from the subway.