Urban Country Legend Amy Allison Returns to Her Old East Village Stomping Ground This Sunday
It was fun to see Amy Allison make a return trip last month to what’s left of the East Village where she started. The iconic Americana songwriter played a mix of hits and unexpected new treats to an adoring crowd upstairs at 2A, where she’s on the bill again this Sunday Oct 19 at 10. Last time out was a duo show with brilliant guitarist Jon Graboff, her longtime bandmate back in the day who’ll be joining her along with bassist Richard Hammond this time out.
After she’d run through the coy Shakespearean country song Love’s Labors Lost – only Amy Allison could pull off a Shakespearean country song and make it not sound fake – she told the crowd that she’d wanted to change one of the verses to “My love for you is real/Her tits are fake,” in honor of the recently deceased Joan Rivers. But Allison forgot to do that. So she told that to the audience. Since her music is so nuanced and meticulous, just like her minutely jeweled vocals, she’ll own up to a mistake if it gets a laugh…or adds another level of meaning to the many others. She’s like that.
Emmylou Harris is going to cover Allison’s song Her Hair Was Red – a dedication to her grandmother – on her next album, so she played that wistful, nostalgic number, as well as the more rapt Everywhere You Are Is Where I Am. Graboff lit up the distantly Orbisonesque Don’t Go to Sleep with some richly jazzy phrasing, then echoed that later when the two teamed up for a broodingly ominous cover of Was, by her famous jazzcat dad Mose Allison. They romped through Blue Plate Special, a bittersweet portrait of her days living in Memphis, then Garden State Mall, her poignant tale of a girl who ends up with barely enough in her wallet to justify the expedition. Then they got more optimistic – sort of, anyway – with Pretty Things to Buy, which might have been inspired by her days working in retail at a boutique a few blocks south. In those days, New York musicians could actually pay rent without inherited money.
She encored with Sad Girl, the title track to the album Elvis Costello picked as one of his favorites, a song she’s played over and over again. It’s sort of her signature song, and she still sings it like it’s the first time, aching and hopeful despite all evidence to the contrary. Which is why she’s such a treasure. Upstairs at 2A this Sunday night – c’mon, it’s Professional Night, all the amateurs will be asleep in their beds – is where it’s at.