A Catchy, Pensive, Compelling New Album and a Cake Shop Show from the Aquanettas’ Debby Schwartz
Debby Schwartz is one of the most distinctive, compelling singers in rock, with a coolly expressive alto voice that can be sultry one moment and then quirky and funny the next: Dawn Oberg comes to mind. Back in the 90s, Schwartz fronted cult favorite powerpop band the Aquanettas. Since then, she’s pursued a solo career. She’s got an excellent new album, Garden of My Own (streaming at Bandcamp), with an all-star cast of players and an album release show coming up on Sept 24 at 10 PM at Cake Shop. Cover is a reasonable $8.
The album’s dostamtly George Harrrison-tinged opening track, Hummingbird, comtemplates bitterness and regret, Kate Gentile and Claudia Chopek’s stark violins paired agianst Schwartz’ own elegant fingerpicking. “You’ve learned to play on the tolerance of those too kind to call you on the fact you’ve overturned, go if you want to you, know you’ve beeen found out if you get burned,” Schwartz warns.
The second track, Ambivalent, is much the same, elegant electric guitar accents intermingled with the acoustic – Bob Bannister. Pat Gubler and James Mastro play the electrics here, with Peter Stewart on bass. Dreaming New York City in the Middle of LA is a classic example of East Coast angst coming unraveled on the other side of the continent, set to a gorgeous paisley underground backdrop, twang and jangle and resonant washes from the electrics contrasting with Schwartz’s spiky acoustic. “The roaches on my kitchen wall hang flaccid and serene while my neighbors ram their door through with a car,” Schwartz bemoans, “Please get me out of here.”
London brings back a lingering rainy-day atmosphere: “Something vile has been haunting me for days now…flashing eyes and words that burned into your ears, did you cry?” Schwartz broods. Arise has a moody gravitas not unlike the Church, a band the Aquanettas once toured with, in folk-rock mode: on the last verse, we get funereal drums from Robert Dennis.
The album’s drollest track is the ambling Satan You Brought Me Down. The album’s longest track, Bulldozer, is also its most hypnotic: Schwartz might be addressing the evils of gentrification here. To Become Somebody keeps the hypnotic atmosphere going, Gabler’s hurdy-gurdy adding a distinct Scottish folk flavor. The next track, My Hope comes across a more soaring second part of that song.
That’s What Johnny Told Me on the Train balances a bouncy pop melody against more of that 4AD, rainswept open-tuned guitar ambience. The album ends with the bittersweetly anthemic Sitting in a Garden of My Own. Schwartz also has an ep out recently comprising several of these tracks along with the lushly luscious folk noir anthem Hills of Violent Green, a showcase for some literally breathtaking, swooping upper-register vocals.