Avishai Cohen Brings His Pensive, Mysterious Middle Eastern Jazz to Highline Ballroom
[republished from Lucid Culture, New York Music Daily’s jazz and classical annex]
Avishai Cohen is on a roll. The Israeli jazz bassist specializes in moody, often haunting compositions which draw equally on Middle Eastern and western classical music as well as jazz. Like another brilliant Israeli jazz bassist, Omer Avital, Cohen has gone deeper into the Middle East lately, although Cohen takes less of the spotlight than Avital typically does, and tends to be more compositionally than improvisationally-inclined. His most recent album, Almah is a blend of Middle Eastern and contemporary classical music and features both oboe and a string quartet. Like Cohen’s two previous efforts, Duende and Aurora, the lineup also includes brilliant third-stream pianist Nitai Hershkovits, who’s joining Cohen along with drummer Daniel Dor for a trio show at Highline Ballroom on June 22 at 8 PM; tix are $30.
Over Cohen’s past three albums, you can see a trajectory unfold and a distinctive, individualistic style continue to evolve. Cohen’s intimate, straightforward, emotionally direct songs without words often take on a Spanish tinge throughout Aurora, which is basically a trio album featuring Shai Maestro on piano with occasional oud from Amos Hoffman and vocalese from Karen Malka. There are plenty of tricky time signatures, generous amounts of rubato, and dynamics galore. Duende, a duo album with Hershkovits, is more rhythmic, swings more and relies more on blues-based tradition rather than the apprehensive chromatics of Aurora – other than the gorgeous theme-and-variations that comprise the former’s opening tracks. Almah has a starkly orchestrated overture, a little minimalist indie classical, austerely rhythmic Arabic melodies, an uneasy lullaby, a couple of bracingly acerbic, chromatically-fueled waltzes, and a bitingly rhythmic, rather ferocious piano feature for Hershkovits that might be its strongest track.
Since Cohen is playing this show with the trio, you can most likely expect lots of stuff from the two older albums and maybe material from even earlier. Settle in, wait for the lights to go down and let the suspense begin.