Halloween Comes Earlier Every Year in NYC
Halloween’s on its way, and it’s gonna be hell in the East Village when every amateur from Cape May to Cape Hatteras comes into town to drink and puke. But for a taste of a more, um, tasteful Halloween, there’s a killer retro rock triplebill coming to Brooklyn Bowl on Oct 26, with ageless second-wave garage rockers the Fleshtones, the reliably entertaining Southern Culture on the Skids and the world’s most popular surf band outside of the Ventures and Dick Dale, Los Straitjackets. The three bands are pushing a new Halloween collaboration, Mondo Zombie Boogaloo, which is due out on Oct 1 on double gatefold vinyl in addition to the usual digital stuff.
It’s everything you would hope for from these three bands. Los Straitjackets get the creepy side of surf – they don’t get all cartoonish and cliched and ruin it. The Fleshtones are a party band, and they bring the party, as do Southern Culture on the Skids, and both of them steer clear of the cheese a lot more than you might think. It’s worth keeping around on vinyl, both as an annual playlist that’s got something for pretty much everyone you might want to invite over at the end of October, or just for something fun and guitarishly tasty to pick you up after a bad day at work.
As you would guess, Los Straitjackets’ songs here are the best. It’s Monster Surfing Time is a surprisingly low-key, swaying, midtempo number where the guitars finally go into machete mode a little on the third verse – in a way it’s kind of Walk Don’t Run ’13. Theme From Young Frankenstein turns out to be an elegant, slowly swinging, thinly disguised version of Harlem Nocturne. Theme From Halloween takes the coldly techy theme, amps up the menace with real instruments, then the band goes four-on-the-floor and rocks the hell out of it. Ghoul on a Hill only hints at the Beatles through a mist of reverb-tank noise, while their LMAO version of the Ghostbusters theme spoofs the original with a virtuosic sneer.
SCOTS’ songs are strong too. Rick Miller has some nonchalantly brilliant reverb guitar on a lot of their tracks, especially the ghoulabilly Tingler Blues. “I’ll take the house nobody wants,” he drawls over swaying, spaghetti western rock on The Loneliest Ghost In Town: “The violent nature of my demise has made all buyers run and hide, and here I stand confined to the scene of the crime.” La Marcha De Los Cabarones is a ferocious Link Wray homage in 7/4 time, while their version of Goo Goo Muck is more of a straight up garage rock song than the famous Cramps version and a far cry from the feral Hasil Adkins original. And the feedback-drenched Demon Death has devious fun toying with a teen roadkill theme.
The Fleshtones’ Haunted Hipster might be the best song on the album. “Every day is Halloween for you,” Peter Zaremba sneers while Keith Streng plays Stonesy slide guitar and a droll, absolutely spot-on Beatles quote over Ken Fox’s growly fuzz bass. They also deliver (Sock It To Me Baby) In The House Of Shock, with its goodnaturedly poppy mid-60s vibe; Ghoulman Confidential, a roller rink organ soul shuffle; and Dracula A GoGo, a Flamin’ Groovies-style pub rock number. There’s also Que Monstruos Son, a very tongue-in-cheek Spanglish version of the Monster Mash featuring all three bands.