Sunday Salons 9, 10 and 11: Going Full Throttle Now
Some of you might see the weekly calendar for New York Music Daily’s Sunday Salon at Zirzamin here week after week and wonder what’s up with it. Obviously, some of you have been in the house, either performing or watching, so this is a shout-out to you for being there and supporting, as well as to the musicians who make it so much fun. Case in point: cellist Serena Jost, whose own music is elegant and nuanced to the nth degree, wailing and thrashing her way through a long improvised solo on an even longer Rick Snyder country blues ballad. Rachelle Garniez graced the stage with her wickedly subtle, edgy, occasionally gospel-flavored retro rock and soul; Martin Bisi brought his pedalboard and haunted the room with casually menacing, slowly unwinding Lynchian art-rock songs. Jon Ladeau brought his original, soulful oldtime Americana; Carol Lipnik wowed everybody with her four-octave vocal range and mysterious, mystical, phanstasmagorical material. LJ Murphy ,with his thousand-yard stare and withering, politically-fueled lyrics, and Walter Ego, with his nimble basslines and tough stance on gun control have also made frequent appearances.
The featured sets after the salon give some of New York’s best invited performers an opportunity to take some chances and do some unexpected things in Zirzamin’s intimate space. For Lorraine Leckie and Her Demons, that meant pulling back a little on the Canadian gothic ferocity, putting her excellent drummer on cajon, letting guitar genius Hugh Pool work his quieter side (it’s true – such a thing exists) and exploring the secret corners of some of her louder, more glam or punk-inspired songs.
For Mark Sinnis, longtime leader of artsy, dark Americana rockers Ninth House, justifiably acclaimed for his solo “cemetery and western” Nashville gothic stylings, that meant a rare Manhattan performance with James Brown (one of the living James Browns) playing gorgoeusly retro rockabilly and country lines on his big Gretsch guitar, mingling with the virtuoso banjo intensity of Stephen Gara. With his big baritone voice, Sinnis often evokes Johnny Cash, with this project now more than ever. And this past Sunday, Tracy Island a.k.a. Liza Roure and Ian Roure from the Larch (and the late, great WonderWheels) romped through a hypnotically jangly, psychedelically edgy mix of old favorites and darker new material. Ian brought out his new pedalboard, chock full of old effects for fiery 80s-influenced solos and fills while Liza channeled her classical training into a rapturous take of Leonard Cohen’s Stories of the Street as well as cynical versions of originals like Where’s My Robot Maid, Land of Opportunity and a warmly evocative new song inviting everybody down to Freddy’s Bar in South Brooklyn for the Mermaid Parade afterparty.
Every Sunday at 5 PM, New York Music Daily presents the Sunday Salon at Zirzamin, where some of New York’s edgiest songwriters and musicians trade songs and cross-pollinate in the old Zinc Bar space at Houston and LaGuardia. There’s never a cover charge; the club has cheap beer, good Tex-Mex food, and the public is welcome to attend. Participation is by invitation only. The featured set at 7 PM this Sunday, Jan 27 is by charismatic, ferociously intense acoustic punk-blues songwriter Molly Ruth.