Sunday Salon 8: New Blood, Old Blood, Bloodbath?

by delarue

Not quite. The final Sunday Salon of the year at Zirzamin featured both usual and unusual suspects. It was good to have Joe Yoga, frontman of the ferocious, southwestern gothic-tinged Downward Dogs join in and play a couple of songs, the first a fiery minor-key number that screamed out for a band behind him, the second somewhat more subdued. Carol Lipnik also contributed a couple of considerably quieter songs that were just as passionate in their enveloping, hypnotic lushness. Playing guitar, she kept time with an Indian ankle bracelet she’d picked up in Jackson Heights. And from a spectator’s perspective, maybe the most interesting moment of the evening happened off to the side, when those two artists joined in a spontaneous duet on the old Jefferson Airplane psych-folk song Coming Back to Me. Neither Carol Lipnik nor Joe Yoga sound anything like the Airplane; just to see that both of them knew the song was cool.

The rest of the salon was fueled by passion and booze. Lorraine Leckie sat on a table facing the crowd and channeled lurid menace, making the need for a mic redundant. LJ Murphy put on his thousand-yard stare, completely locked into showtime mode for the surreal nocturne Waiting by the Lamppost and the big crowd-pleaser Barbed Wire Playpen, a tale of Wall Street dungeons and dungeonesses. John Hodel represented for the oldschool barroom contingent with tales of sordidness and not a little menace. Homeboy Steve Antonakos then followed with a solid hour of solo acoustic songs ranging from gypsy rock – based on a Georges Brassens lick nicked from his old pal Joe Flood – to the surreal bluegrass ballad Baptized in Rain, to the wryly gorgeous janglerock hit I Don’t Miss Summer. Before his set, torchy Americana chanteuse Drina Seay joined him for a couple of catchy, sophisticated countrypolitan tunes. While Antonakos didn’t take any of the sizzling solos that he’s known for, as a member of psychedelic rockers Love Camp 7 or Greek rembetiko surf band the Byzan-Tones, he’d break up the songs with subtle changes in the chord voicings, or run a half a bar of a bluesy riff, or fingerpick delicate filigrees in the slower tunes. It was a clinic in purposeful, impactful playing. Antonakos returns to the featured slot here at 7 PM on Feb 3.

Every Sunday at 5 PM, New York Music Daily presents the Sunday Salon at Zirzamin, where some of New York’s edgiest songwriters and musicians trade songs and cross-pollinate in the old Zinc Bar space at Houston and LaGuardia. There’s never a cover charge; the club has cheap beer, good Tex-Mex food, and the public is welcome to attend. Participation is by invitation only. The featured set at 7 PM this Sunday, Jan 6 is by Canadian gothic rocker/chanteuse Lorraine Leckie.